ABSTRACT
This article examines spatiality in selected children's books about COVID-19. Spatiality is an important lens because the coronavirus pandemic is a crisis related to distancing and mobility restrictions-spatial matters. Benedict Anderson's notion of imagined communities was adopted as a framework to how children's books present community belongingness within the spatial restrictions imposed during the first wave of the COVID-19 pandemic. In a content analysis of pandemic-related children's books published in early 2020 (n = 51), this paper explores the sense of community in three everyday spaces: 'inside' (home), 'outside' (outdoors), and 'in-betweens' (windows and digital space). Findings reveal a two-fold observation: (1) children's books show how the 'normal' in everyday space is disrupted;and (2) layers of imagined communities manifest within the everyday spaces depicted in the books examined. These findings offer insights that while children's literature and geography are different disciplines, there is much to be explored about spaces in children's lives from writers and illustrators of children's books. Likewise, a geographical lens can substantiate discussions in children's literature by unpacking relationships of characters based on the spaces they occupy. With these in mind, it is hoped that conversations about spatial discourses in children's books flourish from this initial exploration.
ABSTRACT
COVID-19 (2019–) appears to have accelerated the transition of movable books from ubiquitous multimodal learning tools into artifacts and artworks, exhibited in museums and galleries. In their place, children are embracing interactive digital books. Whether they offer the same pedological value as their material counterparts remains a point of contention amongst early childhood educators. Both movable books and computers, evolved from volvelles. The devices, constructed using cut paper, emerged in Europe during the thirteenth century. Like papermaking, the technology had precedents in the orient. Their establishment in Europe coincided with The Black Plague (c.1346–1351). This article examines the inclusion or omission of papercuts in books, in relation to the broader application of papercutting within their respective communities. Primary and secondary sources were examined from Europe between the thirteenth and nineteenth centuries, from the United States during the twentieth and twenty-first centuries and from China between the nineth and twentieth centuries. Reference is also made to recent exhibitions featuring artist books and papercuts in in the museum and galleries sectors of Australia, the US, Asia, and Europe.
ABSTRACT
Although isolating, lockdown also created unexpected opportunities for connection and inspiration. This article describes the lockdown literacies of a sibling pair, Marco and Mara, as they wrote digital texts/books for Literacy-Cast, a virtual, interactive literacy space offered by Appalachian State University from March 2020-present. Since lockdown began, this virtual space has been enacted 4-5 days weekly with 70-250 participants logging in from “home” to co-construct a multigenerational, multilingual, geographically-dispersed community engaged in reading, writing/composing, making, speaking, and listening. Literacy-Cast was imagined, built, and enacted collaboratively among faculty, laboratory school teachers, graduate-level teacher candidates, and children (and families) in grades K-5. We hear a lot about the limitations of virtual classrooms/learning (e.g., COVID “learning loss,” lack of engagement, unequal access), particularly in relation to historically marginalized communities, but rarely are we offered counter-narratives: examples where young children who live and go to school in these communities shaped the creation of new virtual spaces/places by making visible meaningful “at home” literacy/language practices, cultural artifacts, and people. Through invitations embedded in the multimodal texts/books shared on Literacy-Cast’s digital bookshelf, children brought the community into their homes–bedrooms, kitchens, backyards, back porches, and backseats, reframing “home visits'' as sites/events for new kinds of community knowledge production. Research about home visits, educators visiting students’ homes to learn about children’s lives, has documented the impact of home environment awareness on school interactions, improved relationships between caregivers and teachers, typically focused on intervention supporting school-based achievement and school practices, often with unidirectional flow from school-to-home;however we conceptualize Literacy-Cast’s daily activity as multidirectional “home visits,” where invitations to come over and play, read, and write together brokered relationships and strengthened a gamut of literacy practices for all participants. Through collaborative ethnography, we explore ways “home” (e.g., objects/people/practices/languages/events) became tools/co-authors for children’s digital composing/making and, ultimately, home/community-making. [ FROM AUTHOR] Copyright of Journal of Early Childhood Literacy is the property of Sage Publications, Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)